The Museum has a number of marble sculptures and other fragments from the site of Ladol, a village near Vijapur, Mehsana district, North Gujarat. At least about 9 pithas, the base of Tirthankara images, have inscriptions between the dates V.S.1313-1337 = 1256-1280 A.D. These are presumably the dates of installation of seated Tirthankara images. As many as 5 standing Tirthankara images in Kāyotasarga posture also belong to this site. One of the inscriptions mentions the name of the temple Kanhuvasahika and the name of donor 'Shreshthi Kanhu'. One of standing Tirthankara images, Śāntināth, is intact, along with its inscription, which was installed in V.S.1326 = 1269 A.D. The name of the village in the inscriptions is mentioned as Lātāpalli. However, no ruined medieval period temple is recorded from Ladol village in recent surveys. From the inscriptions it is clear that the temple was dedicated by Shresthi Kanhu, and therefore given the nomenclature of...
Key words : Jain sculpture, Tirthankar sculpture, Ladol, Mehsana District, North Gujarat
Categories : Sculpture, In House Blog
Walking into N.C. Mehta Gallery is an experience stimulating for many art lovers, who are interested in admiring Indian art through miniature paintings. The gallery has collections on display on almost every popular school, where one can spend hours admiring and comparing the different styles. This write up is a little guide to the actual experience you would go through when you make your personal visit to the gallery.
Veiled in the hustle-bustle of the trafficked city of Ahmedabad, N.C. Mehta Gallery with the parent support of L.D. Museum, has a tranquil setup. As you walk towards the concrete structure before you, enjoy the noise cancellation of the bustling city, and enter into the lush green premises, accompanied by peacocks and twitchy squirrels. The structure before you is the Lalbhai Dalpatbhai Museum with, incorporated as a part of L.D. Museum, back in 1993. Today this building itself is a visual experience for many young architects, to study the architectural...
Key words : N.C. Mehta Collection, Miniature Painting, Schools of miniature paintings, on display in N.C. Mehta Gallery, impression of N.C. Mehta Gallery, rating of N.C. Mehta Gallery
Categories : In House Blog, Museum
The art-historical study of the art of painting in India has been going on now for more than one century. This study carried out mostly through the 20th century has convincingly established how the Indian painters have documented our own culture and society. Simultaneously the involvement with portraiture, the human face, facial features, resemblances and expressions, has been quite considerable. The western scholars in the early years of the 20th century have made certain assumptions regarding the shortcomings of the Indian painters which include two specific aspects. One, that no independent status was given to the genre of portraiture and two, regarding the degree of illusionistic naturalism. The pioneering art-historical scholar, Ananda Coomaraswmy, although had already discovered portrait drawings both in Rajput (Rajasthani and Pahari) and Mughal schools, yet he put forth a theory of 'ideal portraiture', which has been misunderstood and also needs to be questioned. Essentially...
Key words : Portraiture, Portrait in India, naturalistic delineation in portrait, Anand Coomaraswamy, C. Sivarammurti, Kalidasa's Sanskrit Kavyas, Reference of Portrain in Sanskrit Poetry
Categories : Painting, In House Blog, Art History